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Editorial Reviews
From Publishers Weekly
This compelling but uneven first novel follows the sexual travails of lesbian Jess Goldberg. At its start she is a girl who feels confused by strict ideas about gender and who wonders if she might be a "he-she" since people often ask whether she is a boy or a girl. Constantly searching, she quickly moves from trying on her father's suits to visiting bars and transforming herself into a full-blown "butch," complete with her own dildo. As police crackdowns on gay bars result in more than one night in jail, Goldberg decides to begin taking male hormones and have a breast reduction in order to pass as a man. Although she delights in visiting the barber and being able to use the men's room--and even manages to make love to a woman without being discovered--the emotional complications of changing her sex (and hence her identity) build up until she ceases to take her hormone shots. Certain transmutations, like her lowered voice, cannot be reversed, however, so she is now even less defined as a member of a specific gender. Goldberg and her like-minded friends who have embraced the butch/femme dichotomy find they have no place in either the nascent women's or gay pride movements. Feinberg attempts to present Goldberg's life as the personal side of political history, but the narrative seems unattached to time despite the insertion of landmark events like the Stonewall riot and the mention of Reagan and the Moral Majority.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
"A gift from one of the most inspiring and revolutionary voices of our time." --Emanuel Xavier, author of Americano
See all Editorial Reviews
This compelling but uneven first novel follows the sexual travails of lesbian Jess Goldberg. At its start she is a girl who feels confused by strict ideas about gender and who wonders if she might be a "he-she" since people often ask whether she is a boy or a girl. Constantly searching, she quickly moves from trying on her father's suits to visiting bars and transforming herself into a full-blown "butch," complete with her own dildo. As police crackdowns on gay bars result in more than one night in jail, Goldberg decides to begin taking male hormones and have a breast reduction in order to pass as a man. Although she delights in visiting the barber and being able to use the men's room--and even manages to make love to a woman without being discovered--the emotional complications of changing her sex (and hence her identity) build up until she ceases to take her hormone shots. Certain transmutations, like her lowered voice, cannot be reversed, however, so she is now even less defined as a member of a specific gender. Goldberg and her like-minded friends who have embraced the butch/femme dichotomy find they have no place in either the nascent women's or gay pride movements. Feinberg attempts to present Goldberg's life as the personal side of political history, but the narrative seems unattached to time despite the insertion of landmark events like the Stonewall riot and the mention of Reagan and the Moral Majority.
Copyright 1993 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.
Review
"A gift from one of the most inspiring and revolutionary voices of our time." --Emanuel Xavier, author of Americano
See all Editorial Reviews